April 26, 2016

clothed figure | life drawing S'16


Attention to both line and values are seen in these gesture drawings. With the same model, each student's distinct hand is clearly visible. 


Kylah



                                                                                Caroline  


                                                                                Rex


April 19, 2016

life drawing | drawing S'16


The figure was the focus for four classes. Gestures led to contours, combined with values, and then to portraiture. While there was plenty to learn in a short period of time, what emerged was each student's own expressive potential. 


Elley

Kaitlyn

Jaqui
























Maria

April 04, 2016

March 18, 2016

portraiture | life drawing S'16


A light shining from below can add drama. Notice the difference when one student keeps a white background and the other fills it in. 


Caroline



Lynda


February 22, 2016

contour | life drawing S'16


In her gesture drawings, Tricia adds a contour line. It is a standard weighted formula - more bull-nose edge than flesh. Clinically detached, the line ls more mass produced than human. 


 Tricia


With closer observation, contours now swaddle the figure with compassion. As she rotates the charcoal in her fingertips, every bump, indentation, and shadow, is a mound of human frailty - so imperfect, so plump, and so stunningly real.  


Tricia

February 13, 2016

blocks in the figure | life drawing S'16


There are no straight lines in the figure. Yet reducing its form to simple geometric volumes brings a greater understanding of perspective. While students usually start with the upper body, even when doing a gesture drawing, beginning with the feet and the legs - which in this case are closest to the viewer - will highlight their grander scale.



Mansueta


Caroline


Rex


Kayla

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