Leslie | SIS I '13

It is fascinating to see the maturation of a student's work in the course of a four-week intensive. Here an eclectic mix of lines extends from Leslie's figurative gestures to the delineation of an envisioned coastline. 

The lustrous surface on a piece of slag (such as the one pictured) goes further to engulf her terrain. Strong diagonals meld with values - invoking greater depth - even as its jagged edge seemingly continues along a road's circuitous route.

"My most recent painting series was inspired by themes of existence and nonexistence. Influenced by my own experience of great tragedy caused by a natural disaster, I was drawn to the artistic expression of a fleeting and diminishing existence. Having grown up on the southern coast of Louisiana, I have a great appreciation for the wetlands and their unique habitat. Through the exploration of such themes in my art, I have come to the realization that my fascination with the strictly visual components of the wetlands may be linked to their significance in protecting the delicate areas around them. By acting as a sponge and obtaining water, the wetlands prevent flooding and purify the surface water. Furthermore, this series focused on the lines and shapes seen in aerial views of landscapes. 

Throughout the duration of this course my way of approaching my work has changed dramatically. My subject no longer intimidates me. I have built up more confidence in my loose handwork, while simultaneously becoming more aware of the composition. As I gravitate further towards the expressiveness in my work, I have been able to let go of my desire to have complete control. Oil paint allows me to be expressive and free with line, texture and color. I have been experimenting with use of dry brush, giving my lines texture and adding depth by exposing the maps underneath the paint." 

                                                                                    -Leslie Williamson, Parsons 2013