There are no straight lines in the human body. Here Julie navigates the flesh of the model, fluctuating the pressure of the charcoal and rotating her wrist. The contour line bends and sways, while the model holds her pose.
By including a light source, Julie effectively molds the terrain. Note the distinct variation of shadows on a breast - like that of an egg - illustrating that the human body is anything but flat.
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| Julie |
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